There are various remnants of this old youth that remain: Arwen, Elanor, the mallorn tree and restoration of the Shire vegetation are a few examples. Indeed, the connection between the elves and "midsummer" is another symbol of extreme youth and lifethe greatest promise. The passing of Galadriel and many elves certainly dampens the illusory hope of "eternal youth" that surrounded the elves. Throughout the trilogy, the elves have represented a symbolic youth and regeneration. Even on the ride to the sea, Bilbo is half-asleep on his horse. His recurrent sleep prefigures the symbolic death that occurs in the sailing towards the Grey Havens. On one extreme, we find Bilbo Baggins, who has become a very elderly (but also very sleepy) hobbit. AgingĪging is a complicated theme in this last novel of the trilogy. As a result, the songs are often celebratory (in regards to the past) and prophetic (in regards to the future). Many of the present heroes are related to former heroes or presently engaged in some quest that originated in an anterior mission (for example, Frodo's quest of the Ring is the result of Bilbo's earlier adventure with the Ring). Many of the songs are Elvish and towards the end of The Return of the King, many of these songs are prophetic in nature, with Aragorn appearing as the foreshadowed King. More often than not, the stories of the heroes that are presented in the trilogy are in a song form, rather than a written literary form. After a major event has occurred, Sam often wonders how the story will be remembered and whether his own heroics will be forgotten. In an explicit sense, Bilbo, Frodo and Sam are engaged in a literary endeavor, involving the chronicling of their adventures.
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